After a long period characterized by the domination of Byzantine art, in Venice from the fourteenth century onwards it was possible to witness a gradual approach to Western art, developing what would later become the peculiar Venetian painting.In this sense, the turning point was given by many parties. The reorganization of the Palazzo Ducale in the early fifteenth century brought together "foreign" artists who gave a significant boost (Pisanello, Michelino da Besozzo and Gentile da Fabriano). Likewise, thanks to its fundamental commercial exchanges with northern Europe, Venice
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