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Philip IV on horseback (flooded), by Velázquez - (Campaign +1.5º Lo Cambia Todo, Museo del Prado / WWF)
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Madrid is the home of the Prado Museum(which is already 200 years old) and COP25 Chile (COP stands for Conference of the Parties, the supreme decision-making body of the United Nations Framework Convention on Climate Change -UNFCCC-), which was relocated to Madrid at the last minute due to organisational problems at the previously assigned venue.

Effectively communicating complex topics such as the climate crisis, the concepts of mitigation and adaptation, and the impact this can have on everyday life is a difficult challenge and often requires a multidisciplinary approach. The #ShowYourStripes project by climate scientist Ed Hawkins is an example of this kind of approach, graphically representing the variation of the global average temperature over the years.

The Prado Museum, in synergy with WWF Spain, wanted to celebrate COP25 with an awareness-raising campaign based on art and an interesting stratagem: modifying famous paintings and adapting them to climate change. The result is truly effective, and the attention to detail in the modified canvases is truly remarkable.

  1. Children on the Beach, by Sorolla - Original and version "Children in the Dead Sea
  2. El quitasol, by Goya - Original and 'El quitasol climate refugees' version
  3. Philip IV on horseback, by Velázquez - Original and 'flooded' version
  4. Paso por la Laguna Estigia, by Patinir - Original and 'Laguna Estigia seca' version

The name of the campaign is +1.5º Lo Cambia Todo, i.e. above 1.5° everything changes, in reference to the maximum margin of global temperature increase that the IPCC - and others - declared in its report(Special Report on Global Warming of 1.5°C - October 2018), beyond which the consequences will land the planet and humanity in serious trouble.

For the campaign , paintings by three Spanish artists(Francisco de Goya, Diego Velázquez and Joaquín Sorolla) and a Flemish Renaissance painter(Joachim Patinir) were chosen, considered by art experts to be the most suitable for the campaign, as the Prado itself states:

'For this, four masterpieces were selected to warn of rising sea levels, the extinction of species, the drama of climate refugees or the disappearance of rivers and crops due to extreme drought.

With the launch of the + 1.5 ° C Lo Cambia Todo awareness campaign, the Prado Museum and WWF are using art as a universal language to explain in a shocking and new way the damage to the Earth of rising temperatures.

This awareness-raising campaign is an original effort to shake consciences and mobilise society in the face of climate change.

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