The Rezzonico palace in 1936 was used as the seat of the Museum of the Venetian eighteenth century and the eighteenth-century works owned by the Civic Museums of Venice recured for the setting, as well as a collection of paintings given by Ferruccio Mestrovich.
Among the various rooms we find: the ballroom used for parties, a typically eighteenth-century element, whose space was obtained by exploiting the height of the two noble floors by eliminating a floor and some windows, the wedding allegory room whose name derives from a ceiling fresco by Giambattista Tiepolo, the pastels
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